Fifty People, One Question: Brooklyn
"Take 5 minutes out of your day and WATCH THIS BEAUTIFUL VIDEO! really.
Fifty People, One Question: Brooklyn from Crush + Lovely on Vimeo.
"Take 5 minutes out of your day and WATCH THIS BEAUTIFUL VIDEO! really.
Fifty People, One Question: Brooklyn from Crush + Lovely on Vimeo.
Kim Joon, Bird Land-Armani (detail), 2008
Just got this great summary from Artkrush who will be on the scene again this year bringing you all the goodness to be found. Be sure to keep checking back as the month develops...
Got this in my inbox today. The hilarious group over at Plexifilm [same guys who made 'Helvetica'] are giving away official Helvetica-writing pens with any purchase of 'Objectified' swag. Ha! I love this idea. If it had command-z as well, I'd buy a gross...
Magic pen writes in Helvetica
Ahhhh... technology. The geniuses at Plexifilm have spent the past two
years developing a Sharpie pen that actually writes in Helvetica! This
pen is so experimental that it's priceless... literally. You can't buy
one, but you can get one free with any Helvetica-related purchase
(DVD, T-shirt, etc.). Get your free pen while they last. It's a great
gift for that person in your life with sloppy handwriting...
* Warning: if you are John Downer or Marian Bantjes then the pen will
actually write in Helvetica. Otherwise, your results may vary. Do not
swallow. Keep away from open flame and co-workers. May cause
drowsiness.
Got this in my inbox. Be there or be, well, out of luck!
Please come to our annual holiday party! Thursday, December 4, beginning at 7pmat Northwest Film Forum 1515 12th Ave (between Pike & Pine on Seattle's Capitol Hill) Free! The sun is setting at 4pm, so it must be time for our annual Holiday Party! Featuring * DJs warming your chestnuts with festive, danceable tunes * Vintage holiday TV shows * Back alley dreidel games * Your favorite film critic as Santa! The film community is coming out for some holiday cheer. Join us for dancing, camaraderie and the second annual building-wide eggnog competition. |
more here: http://www.nwfilmforum.org/
Found this in my inbox and thought I'd pass it along. Should be a doozie!
Live bands, DJs, unique drinks...free haircuts!
Continue reading "Northwest Film Forum's "Local Sightings" Film Fest, 10.3-8.08" »
Just found out about this one and won't be able to make it because I'll be in San Jose covering West Coast Green. But you all should go! These are great...
Please join CoCA as we play host to Pecha Kucha Night. This month's theme is "Trouble". You've got some, we got some - let's share. We’ve assembled an incredible roster of writers, visual artists, race car drivers, actors and other creative luminaries. Share ideas, see great work - we'd love to see you there!
Continue reading "Pecha Kucha Night at CoCA, Seattle. Thursday 7pm" »
This rarely-seen cult classic never recieved a theatrical release! I saw a crappy VHS copy in college and haven't seen it since. Great cameos from The Tubes, The Clash and The Sex Pistols.--and now the awesome Grand Illusion theatre in Seattle is screening it tomorrow night in celebration of its release on DVD.
As soon as I get done typing, I'm clicking over to Amazon to pre-order my copy.
See y'all tomorrow night!
So you couldn't make Coachella because you got the flu. You couldn't use your comped tickets to WMC because of a business trip to Birmingham. And you completely flaked on SXSW. Well now is your chance to make up for it: Glow, this weekend on Santa Monica Pier...
Here are some highlights via Thrillist:
Primal Source: Surreal
images projected on this beach-based 40-foot wall of mist'll move based
on the sounds of voices around the installation, allowing you to see
what "Dude, that's totally a 40-foot wall of mist!" looks like.
The Amazing Mental Scope: Get hooked up with an EEG, then climb on the ferris wheel, and your brainwaves will be displayed via flashing lights on a cylindrical LED display. Onlookers will enjoy the soft glow of your Pleasure Center as you enjoy top-of-the-wheel "special alone time".
Poetry Boat: Use
the provided phone to call the three poets on this off-shore boat, and
they'll compose and read back to you on-the-spot custom poetry. Why are
they out on a boat? Because that's where they put people with leprosy.
All
the while, there'll be a kickin' soundtrack from Djs like KCRW's Garth
Trinidad and Postal Service member Jimmy Tamborello, aka Dntel --
himself so accustomed to late-night shenanigans he once took his own E.
Check out all the craziness at GLOW
If I were not going to be floating in my father's Arizona pool week after next, here is a list of the things I would be seeing on my [imaginary] trip to NYC. [not that I in any way take for granted my father's generosity...]
Erector Set Skyscraper at Rockefeller Center Is Adult Fantasy: ...a sweet, old-fashioned tribute to boyhood optimism...Chris Burden's "What My Dad Gave Me"... [images]- Bloomberg News
Dymaxion Man: The visions of Buckminster Fuller: By staging the retrospective, the Whitney raises—or, really, one should say, re-raises—the question of Fuller’s relevance. Was he an important cultural figure because he produced inventions of practical value or because he didn’t?- New Yorker
and of course...
[David] Byrne’s new installation produced by Creative Time, “Playing The Building,” is located downtown in the Battery Maritime Building, which was built in 1909, closed in 1938 and hasn’t been open to the public for 50 years.
The Weltanschauung, Ignatius J. Reiley spoke of, if you haven't already guessed or if you've forgotten your high school German, is a kind of personal world view. Yesterday I had a confirmation of sorts of my current weltanschauung. I'd picked up a translation of Montaigne's 'Essays', and flipping through the collection literally 'at random', I read this passage from "Of idleness":
"Lately when I retired to my home, determined so far as possible to bother about nothing except spending the little life I have left in rest and seclusion, it seemed to me I could do my mind no greater favor than to let it entertain itself in full idleness and stay and settle in itself, which I hoped it might do more easily now, having become weightier and riper with time. But I find-
Ever idle hours breed wandering thoughts
--Lucan"--that, on the contrary, like a runaway horse, it gives itself a hundred times more trouble than it took for others, and gives birth to so many chimeras and fantastic monsters, one after another, without order or purpose, that in order to contemplate their ineptitude and strangeness at my pleasure, I have begun to put them in writing, hoping in time to make my mind ashamed of itself."
And the moment for me took on the aspect of revelation. I shit you not. The experience of, 'seeing as in a mirror, dimly' my own reflection, reminded me of one of the things that first attracted me to art and literature; a process of discovery, of learning to be human.
Montaigne wrote this passage in the late 16th Century and it is just as relevant today as ever. Not in the term 'idleness' per se, but more specifically, in the false industry of instant information availability. For example, do something like Google your name--'chimeras and fantastic monsters' indeed!
This is not the idleness artists need. What we need, what I need, is to be still; to listen to the wind in the trees. Godard said we need more films with wind in the trees. I trust Godard. I've got to go back into my DVDs and find the scene. Was it "Helas Pour Moi" or something much earlier?
Here's one from YouTube:
http://www.youtube.com/watch?v=xwrLmtlo1e0
As long time Chet Baker fans, we can't wait to view this one:
OCTOBER 26 - NOVEMBER 1, Fri - Thurs at 7 & 9:15pm
LET'S GET LOST
(Bruce Weber, USA, 1988, 35mm, 119 min)
In the 1950s, Chet Baker's jazz trumpeting, edgy, intimate crooning and pretty boy good looks epitomized West Coast "cool."When famed photographer Bruce Weber caught up with him three decades later, time and drug addiction had ravaged his life and angelic beauty with deep valleys and crevasses. LET'S GET LOST artfully intercuts gorgeous black and white footage of the gaunt latter-day Baker, with images of the young jazz trumpeter in iconic 1950s early television and film appearances and photographs by William Claxton. Shot by Weber and cinematographer Jeff Preiss during what would turn out to be Baker's final year, the film also includes interviews with friends, family, lovers and associates. This transfixing, bittersweet portrait of the jazz legend won the Critics' Prize at the Venice Film Festival and was nominated for an Academy Award. Nearly 20 years since its premiere and nearly 15 since it has been seen in any medium, we're pleased to present a brand new 35mm print of a recent restoration done by Weber himself.
"It's the music doc as film noir, with a vampirish city-of-night gleam that suits the subject and his darkly romantic sound."-Jim Ridley, THE VILLAGE VOICE
OCTOBER 26, Fri at 7 & 9:15pm
NOT AVAILABLE ON VIDEO
Catherine Sullivan will be one of the dozen or so artists in this show at the Tate so be sure to stop by during the fall continent hop! Or just stick around after Frieze is over...

"The World as a Stage brings together a key group of sixteen international, contemporary artists in an exhibition which explores the rich historical relationship between visual art and theatre. In a selection of large installations, sculptures, performances, films, participatory works and events, many of which are new commissions, the exhibition investigates the extent to which a sense of theatricality impacts upon the gallery visitor's experience and is carried into the world at large as an altered mode of perception. Different elements of the theatre form -- back stage, actors, props and audience -- are played with in relation to the customs of art and exhibition making -- studio, gallery, artist and viewer. Works will be displayed both inside and outside the exhibition space at Tate Modern, drawing attention to the theatrical nature of the everyday and incorporating the viewer into the work as both willing participant and oblivious performer viewed by others.
The artists featured are Pawel Althamer (b 1967), Cezary Bodzianowski (b 1968), Ulla von Brandenburg (b 1974), Jeremy Deller (b 1966), Trisha Donnelly (b 1974), Geoffrey Farmer (b 1967), Andrea Fraser (b1965), Dominique Gonzalez-Foerster (b 1965), Jeppe Hein (b 1974), Renata Lucas (b 1971), Rita McBride (b 1969), Roman Ondák (b 1966), Markus Schinwald (b 1973), Tino Sehgal (b 1976), Catherine Sullivan (b 1968) and Mario Ybarra Jr (b 1973).
The exhibition is curated by Jessica Morgan, Curator of Contemporary Art, Tate Modern and Catherine Wood, Curator of Contemporary Art & Performance, Tate Modern. "
more here: http://www.tate.org.uk/modern/exhibitions/theworldasastage/
As far as I'm concerned, this is THE show to see this fall; a perfect storm of music, art, and politics with the likes of Tony Oursler, Richard Prince and Jack PIerson, together with (incli)NATION favorites like Marnie Weber, Dave Muller and Jason Rhoades, not to mention references to Warhol, Lou Reed, Destroy all Monsters, Red Crayola, and Kraftwerk among many others.
So now all we need to get are tickets and a schedule and see you there!
CHICAGO.-The explosive social and political climate of the late-1960s produced a revolutionary spirit that led to the fusion of avant-garde art and rock music. Artists as diverse as Andy Warhol, The Velvet Underground, Captain Beefheart, and Richard Hamilton burst forth with new creative endeavors. The Museum of Contemporary Art (MCA), Chicago, presents Sympathy for the Devil: Art and Rock and Roll Since 1967, the first major exhibition devoted to the convergence of contemporary art and rock music over the past forty years. Sympathy for the Devil opens on September 29, 2007, the MCA’s official 40th Anniversary and the kick-off of “40 Free Days,” and closes on January 6, 2008
more at the MCA
via Artdaily
One of the most interesting artists working today, Catherine's work is intellectually rigorous, aesthetically lush, and often more than a little perplexing. Expect nothing less from the sound of this new, multi-channel piece set to premiere the end of this month. Get there any way you can! I will...
Congratulations Catherine!
From the press release:
August 23-November 18
Triangle of Need Examines Wealth and Evolution
What do the Neanderthals have in common with an early 20th-century American industrialist? What are the connections between Nigerian cinema and a sprawling mansion comprising four centuries of architectural styles? These are some of the elements—physical and conceptual—that make up Catherine Sullivan’s new film project making its world premiere August 23 (beginning at 5 pm) through November 18 in the Walker Art Center exhibition Catherine Sullivan: Triangle of Need. In the multichannel video installation Triangle of Need, Sullivan orchestrates complex sets of ideas and participants to weave a nuanced story about evolution, class, wealth and poverty, and the inequalities and injustices in our global economy. The project is co-commissioned by the Walker, A Foundation (Liverpool), and Vizcaya Museum and Gardens (Miami), and will be presented in Liverpool (October 2007) and Miami (December 2007). The Minneapolis presentation is organized by Walker visual arts curator Doryun Chong...
(incli)NATION is: Daniel Flahiff, editor :: Dorothy D., Akira Rabelais, and Bryan Schultz...
Recent Comments