(incli)NATION

Theo Jansen’s Kinetic Sculpture is Alive! [almost]

2008-08-27T06:58:00-07:00

These sculptural ‘animals’ are amazing; like a combination of DaVinci and David Cronenberg. Jansen has hit upon a form that resonates with my sense of the future/past as present; fairy tales, dinosaurs and mythical beasts.

They also make me think of the effects of space and time in the way Thomas Mann used space and time. Mann suggested [in The Magic Mountain] that movement through space has similar effects upon a person as those of the passage of time; distanciation, obfuscation and disorientation. Not ‘time-traveling’ but ‘travel-timing’; faster if not as permanent.

Anyway, check out the video too...

From Inhabitat:

“Theo Jansen has been creating wind-walking examples of artificial life since 1990. What was at first a rudimentary breed has slowly evolved into a generation of machines that are able to react to their environment: “over time, these skeletons have become increasingly better at surviving the elements such as storms and water and eventually I want to put these animals out in herds on the beaches, so they will live their own lives.”

Constructed as intricate assemblages of piping, wood, and wing-like sails, Jansen’s creatures are constantly evolving and have become excellently adapted to their sandy beach environment. The creatures sport legs, which “prove to be more efficient on sand than wheels . . . they don’t need to touch every inch of the ground along the way, as a wheel has to”. .”

read the rest after the jump...

Tom Kundig’s Delta Shelter...Again

2008-08-26T07:45:00-07:00

Tom Kundig has always been one of my favorite local architects. What's not to love; a melange of rural sensibilities, modern aspirations and postmodern mash-ups. And while I've never really understood the argument placing his practice within the Modern movement, C. Mudede makes an interesting case for it in this brief article from The Stranger. Hopefully we will get a fully fleshed-out argument in the future...

From The Stranger:

"The other modernism, the sort Kundig represents, retains the minimalism of zero-degree architecture, but it does not banish the processes of aging and physical change. In Kundig's work, materials are not only exposed to time but time itself becomes a material. It is for this reason that his homes already have in them the majesty of their movement through time. "Buildings outlive people, you have to design with this in mind," Kundig points out. Buildings, like people, are not permanent; they have life spans, they are born, grow old, decline, and crumble."

To my thinking, Mudede doesn't make a convincing case, but I'm up for more. [Kundig's aesthetic is far from 'zero-degree' IMO] Regardless, it's always great to see Kundig's work getting the attention it deserves. He's a Northwest treasure.

Read the rest after the jump...

South Lake Union Discovery Center wins COTE award, 2008

2008-08-25T11:43:23-07:00

More good news for Seattlites; our South Lake Union Discovery Center earned an AIA/COTE Green Design award! One of ten awards given out this year, the Center is a model of green and modular thinking.

I love the design, and how amazing is it to be able to reuse these modules! Just unbolt and go, like an upscale shipping container, to any site you like. I read somewhere that an UW arch studio workshopped different ways to use them next and one group suggested upending them, transforming the horizontal into vertical! Just like playing with Legos back in the day! Congratulations to all...

From GreenSource:

“For moving purposes, Miller Hull’s team carefully determined the maximum dimensions allowed on the roadways to the most likely new locations, arriving at a 40-by-73-foot optimum bay size. Working with engineer Jay Taylor of Magnusson Klemencic Associates, the team chose a simple structural system of quadrilateral steel bents that could be fabricated offsite. With gluelam purlins supporting the roof, the bents create a clear-span structure in which a service corridor of restrooms, a catering kitchen, and a sales office sit “a bit like a mobile home” inside. The glass front slopes inward beneath deep overhangs, giving the building the feel of an oversized screened porch. The resulting quartet of modules easily bolts together at three joints to create an 11,000-square-foot building. Splice plates “zipper” the floor seams while the gaps in the standing-seam metal roof panels are bridged by a simple cap flashing. Mechanical units bolt to the top with minimal ducting routed under the bents.”

read the rest after the jump...

Top 10 Architects who are not Architects

2008-08-18T15:14:41-07:00

Got this email this morning; 'Arthur Erickson...Canada's most famous architect and the first to put Canadian architecture on the world map.' is no longer allowed to call himself an architect because he will not take the 18 required hours of continuing ed. every year to certify him as such. Hilarious, if it wasn't so absurd and it made me think of all the influential 'architects' in modern history who had no formal architectural training. Here is my first-pass at a top ten list. I'm sure I missed many more so shout-out your favorite non-architects and we'll get a top 100 list going...

1. Tadao Ando, Japan

2. Charles Eames, United States

3. Buckminster Fuller, United States

4. Carlo Scarpa, Italy

5. Luis Barragan, Mexico

6. Bruce Goff, United States

7. Charles Rennie Mackintosh, Great Brittan

8. William Morris, Great Brittan

9. Gerrit Th. Rietveld, The Netherlands

10. Mary Jane Colter, United States

Of course, this list could go the other way too, as in the 'Top 10 Architects who became Something Else...' Beginning with Sergei M. Eisenstein and moving on from there...

The Bill Nye Interview at TreeHugger

2008-08-11T16:19:17-07:00

When we lived in Hollywood, I used to see the willowy Science Guy walking the Topanga Canyon trail with friends and dog in tow, so I feel a particular affinity, however unfounded, for Bill (we're that close) one of my childhood heroes.

If you feel the same, be sure to hit the interview over at TH.

From the interview:

TH: And maybe you can give us one great eco-experiment or investigation that you can suggest our readers try at home to better understand environmental issues?

BN: You know, I did some research into what were the most heavily traded commodities in the world. The first, of course, is oil… But the second is coffee, which surprised me. It’s not something you need, like wheat or rice, but something you can choose to buy… So I’d ask you to keep a running record of how much you spend on coffee and bottled water for a week or even a month, and compare them. It’s amazing what you’ll find… And if you can convince people to change some really basic habits you can really change the world… Just think of the enormous impact coffee consumption has on the planet.

read the rest after the jump...

"Love of bustle is not industry"

2008-08-07T13:00:05-07:00

—Lucius Annaeus Seneca (often known simply as Seneca, or Seneca the Younger) (c. 4 BC - 65 AD)

Tom Kundig's 'Delta Shelter'

2008-08-06T07:40:00-07:00

Tom Kundig has always been one of my favorite local architects. I mean, what's not to love; a melange of rural sensibilities, Modern aspirations and Postmodern mash-ups. And while I've never really understood the argument placing his practice within the Modern movement, C. Mudede makes an interesting case for it in this brief article from The Stranger. Hopefully we will get a fully fleshed-out argument in the future...

From The Stranger:

"The other modernism, the sort Kundig represents, retains the minimalism of zero-degree architecture, but it does not banish the processes of aging and physical change. In Kundig's work, materials are not only exposed to time but time itself becomes a material. It is for this reason that his homes already have in them the majesty of their movement through time. "Buildings outlive people, you have to design with this in mind," Kundig points out. Buildings, like people, are not permanent; they have life spans, they are born, grow old, decline, and crumble."

To my thinking, Mudede doesn't make a convincing case, but I'm up for more. Regardless, it's always great to see Kundig's work getting the attention it deserves. He's a Northwest treasure.

Read the rest after the jump...

Philippe Stark's Rooftop Windmill is Beautiful, of course

2008-08-05T12:17:46-07:00

Yes, he's a pain in the a**, but at least he's starting to walk the 'green' talk. Have a look at this rooftop wind turbine for residential use. If he can pull it off, even half of it, it will be his best work to-date:

From IHT:

"Take Starck's claim to have "invented a concept called Democratic Design," which, he says, gives everyone high quality products at affordable prices. Sounds great, but didn't the modern movement try to do that for most of the 20th century? And how can he claim to have "won the battle" by designing "a chair that sells for less than €100," or $157, when that's still too expensive for most people? Let alone the 90 percent of the world's population who are too poor to afford the basics? What has Democratic Design done for them? "Oh please, I'm not God," pleads Starck. "I'm just a designer, and I'm doing my best.""

read the rest after the jump...

"A goal without a plan is just a wish"

2008-07-18T09:59:09-07:00

--Antoine de Saint-Exupery French writer (1900 - 1944)

Glow, All Night Art-mania on Santa Monica Pier

2008-07-17T10:04:31-07:00

So you couldn't make Coachella because you got the flu. You couldn't use your comped tickets to WMC because of a business trip to Birmingham. And you completely flaked on SXSW. Well now is your chance to make up for it: Glow, this weekend on Santa Monica Pier...

Here are some highlights via Thrillist:

Primal Source: Surreal images projected on this beach-based 40-foot wall of mist'll move based on the sounds of voices around the installation, allowing you to see what "Dude, that's totally a 40-foot wall of mist!" looks like.

The Amazing Mental Scope: Get hooked up with an EEG, then climb on the ferris wheel, and your brainwaves will be displayed via flashing lights on a cylindrical LED display. Onlookers will enjoy the soft glow of your Pleasure Center as you enjoy top-of-the-wheel "special alone time".

Poetry Boat: Use the provided phone to call the three poets on this off-shore boat, and they'll compose and read back to you on-the-spot custom poetry. Why are they out on a boat? Because that's where they put people with leprosy.

All the while, there'll be a kickin' soundtrack from Djs like KCRW's Garth Trinidad and Postal Service member Jimmy Tamborello, aka Dntel -- himself so accustomed to late-night shenanigans he once took his own E.

Check out all the craziness at GLOW

Billy May's Torn Lighting Concept

2008-07-16T10:37:24-07:00

Some great work here by Billy May. Taking LEDs he installs them underneath sculptural assets fixed to the wall board and designed to look as though the wall board is peeling, waving or similarly unexpected feats. I particularly like it when he uses the corners as 'seams'. It gives the effect that the walls are made of fabric, making the space feel much lighter and open even though not a single inch has been added to the space.

Nice work

Dream Holiday: Bucky Fuller, Chris Burden and David Byrne

2008-06-14T00:53:40-07:00

If I were not going to be floating in my father's Arizona pool week after next, here is a list of the things I would be seeing on my [imaginary] trip to NYC. [not that I in any way take for granted my father's generosity...]

Erector Set Skyscraper at Rockefeller Center Is Adult Fantasy: ...a sweet, old-fashioned tribute to boyhood optimism...Chris Burden's "What My Dad Gave Me"... [images]- Bloomberg News

Dymaxion Man: The visions of Buckminster Fuller: By staging the retrospective, the Whitney raises—or, really, one should say, re-raises—the question of Fuller’s relevance. Was he an important cultural figure because he produced inventions of practical value or because he didn’t?- New Yorker

and of course...

[David] Byrne’s new installation produced by Creative Time, “Playing The Building,” is located downtown in the Battery Maritime Building, which was built in 1909, closed in 1938 and hasn’t been open to the public for 50 years.

Sugar Cube City: Floating New Orleans by Kim & Stayner

2008-06-03T10:07:51-07:00

It's pouring rain here today which lends poignancy to this project by Kiduck Kim and Christian Stayner of Harvard's GSD. Utopian in the best sense of the word, the project serves to highlight the reasons it could not work, rather than the reasons it could; class, capitol, private property, and common sense.

What a wonderful world it would be if we could rise above these limitations and enter a new era of urban development, a world of sweet sugar cubes floating without malice in a sea of good will. Kudos to Kim and Stayner for imagining such a future.

From Inhabitat:

It’s been almost three years since New Orleans weathered Katrina’s wrath, and debate still rages over plans to reconstruct the sunken city. Myriad options have surfaced ranging from rebuilding the levees to designing storm resistant structures to not rebuilding at all. Here’s an approach that endeavors to ride the river rather than stem it’s course. Harvard Graduate School of Design students Kiduck Kim and Christian Stayner have conceived of a Floating City that will “rise safely in an Archimedean liquid landscape.”

(more…)

Jill Bolte Taylor: My stroke of insight

2008-05-30T12:41:27-07:00

Is Dr. Taylor with us? More than most... http://www.ted.com/talks/view/id/229

Reclaimed Lumber Bookshelf by Blankblank

2008-05-21T15:55:49-07:00

Anything that makes me laugh out loud must be shared.

via Inhabitat

Giant Toasted Leafcutter Ants from Edible.com

2008-05-13T15:59:25-07:00

So we're having a BBQ here in the burbs for Memorial Day and I'm thinking these little guys should be a big hit. Giant toasted leafcutter ants from Colombia, the largest species of ant in the world.

From Edible:
"Hormigas Culonas are harvested in the Colombian Amazon by the Guane Indians, during the short rainy season between March and June. They are then toasted in a mud pot over an open fire by the Indians.

The Guane Indians believe that these Ants have youth giving and Aphrodisiac properties and they are often served as fertility giving marriage food during nuptial ceremonies. Hormigas Culonas taste similar to crisply fried bacon with an earthy taste, and make the perfect alternative party snack instead of nuts or olives!"
YUM!

Get yours here.

Natural Retreats, UK: Stylish Eco-tourism

2008-05-02T13:26:44-07:00

I will be staying here next time I visit Little England...

"Combining the highest levels of luxury and sustainable development with beautiful locations, Natural Retreats offer a chance to explore beautiful national parks, bask in luxury, and feel confident that your holiday has a low environmental impact. Built with sustainability in mind, these eco-getaways can be found within four of the UK national parks, with plans to acquire sites in, or alongside, ten more. At current, green-minded travelers can escape to Yorkshire Dales, Snowdonia, Lake District, and North York Moors - all beautiful landscapes and perfect settings for an eco-friendly nature retreat."

more after the jump HERE and HERE

Weltanschauung: The Wind in the Trees

2008-03-03T16:14:49-08:00

The Weltanschauung, Ignatius J. Reiley spoke of, if you haven't already guessed or if you've forgotten your high school German, is a kind of personal world view. Yesterday I had a confirmation of sorts of my current weltanschauung. I'd picked up a translation of Montaigne's 'Essays', and flipping through the collection literally 'at random', I read this passage from "Of idleness":

"Lately when I retired to my home, determined so far as possible to bother about nothing except spending the little life I have left in rest and seclusion, it seemed to me I could do my mind no greater favor than to let it entertain itself in full idleness and stay and settle in itself, which I hoped it might do more easily now, having become weightier and riper with time. But I find-

Ever idle hours breed wandering thoughts
--Lucan

"--that, on the contrary, like a runaway horse, it gives itself a hundred times more trouble than it took for others, and gives birth to so many chimeras and fantastic monsters, one after another, without order or purpose, that in order to contemplate their ineptitude and strangeness at my pleasure, I have begun to put them in writing, hoping in time to make my mind ashamed of itself."

And the moment for me took on the aspect of revelation. I shit you not. The experience of, 'seeing as in a mirror, dimly' my own reflection, reminded me of one of the things that first attracted me to art and literature; a process of discovery, of learning to be human.

Montaigne wrote this passage in the late 16th Century and it is just as relevant today as ever. Not in the term 'idleness' per se, but more specifically, in the false industry of instant information availability. For example, do something like Google your name--'chimeras and fantastic monsters' indeed!

This is not the idleness artists need. What we need, what I need, is to be still; to listen to the wind in the trees. Godard said we need more films with wind in the trees. I trust Godard. I've got to go back into my DVDs and find the scene. Was it "Helas Pour Moi" or something much earlier?

Here's one from YouTube:

http://www.youtube.com/watch?v=xwrLmtlo1e0

Cool Obama Schwag; t-shirts, mugs and more

2008-02-25T18:43:00-08:00

Hey, I just posted these. Buy some and spread the word!

OBAMA SCHWAG by Daniel

buy unique gifts at Zazzle

Real Poverty

2008-02-25T12:40:02-08:00

La vraie pauvreté est celle de l'âme, une pauvreté dans laquelle le mental est toujours dans un tourbillon créé par les doutes, les soucis et les craintes.

Real poverty is that of the soul, a poverty in which the mental is forever a whirlwind, created by doubts, worries, and fears.

--Swâmi Râmdâs

On Laughter, Angst and Cai Guo-Qiang

2008-02-22T18:09:00-08:00

And we should call every truth false which was not accompanied by at least one laugh. --Friedrich Wilhelm Nietzsche

When I read Roberta Smith's description, in todays New York Times, of the small army of assistants to the artist Cai Guo-Qiang--Mr. Cai puts large sheets of paper on the floor, distributes some combination of gunpowder and/or fuses across the paper and then lights it all, after which the assistants rush to put out the small fires which have ignited on the paper itself--it cracked me up! Imagine the sight, a room full of blue, sulfurous smoke and a half-dozen m.f.a. students running around stamping out little fires with their soon-to-be-ruined Converse lo-tops.

Mr. Cai's work reminds me that Democritus and Heraclitus were both right; we are at once pathetic and pitiable. But we are hilarious as well. Mt. Rushmore? It's a caricature of hubris and it's really funny! Or Warhol's "Empire"? Sadistic and terrifyingly boring and bust-a-gut funny! Thank you Mr. Cai for taking up this honored tradition.

Mr. Cai's bravado illustrates how in the western world, where anything seems possible, much of our privileged, existential angst can be traced to the ongoing problem of keeping our Franklin/Covey® 'To Do' list up to date; schedule the meeting, pay the bills, buy the groceries, fill the gas tank, finish the novel, call mom. It's frantic. It seems really important. We court misery and worry ourselves sick. And eventually we need meds. [some of us, anyway.] And this is all exactly like Mr. Cai's work. The tyranny of absolute freedom, theoretical or not, wreaks havoc among every one of us not singularly motivated by financial gain. Remember John Kennedy Toole's Ignatius Rielly, from 'A Confederacy of Dunces':

"Employers sense in me a denial of their values." He rolled over onto his back. "They fear me. I suspect that they can see that I am forced to function in a century which I loathe. That was true even when I worked for the New Orleans Public Library."
"But Ignatius, that was the only time you worked since you got out of college, and you was only there for two weeks."
"That is exactly what I mean," Ignatius replied, aiming a paper ball at the bowl of the milk glass chandelier.
"All you did was paste them little slips in the books."
"Yes, but I had my own esthetic about pasting those slips. On some days I could only paste in three or four slips and at the same time feel satisfied with the quality of my work. The library authorities resented my integrity about the whole thing. They only wanted another animal who could slop glue on their best sellers."
"You think maybe you could get a job there again?"
"I seriously doubt it. At the time I said some rather cutting things to the woman in charge of the processing department. They even revoked my borrower's card. You must realize the fear and hatred which my weltanschauung instills in people." Ignatius belched.

Slap me in the face if that ever fails to make me laugh!

Thank you John Kennedy. Thank you Andy Warhol. And thank you Cai Guo-Qiang. You crack me up, even those flying Fords in the SAM lobby. [I know I'm supposed to be thinking about the ubiquity of violence, post 9-11, ruminate on the mediation of extreme brutality and terrorism by technology, etc. But they just look so...hammy! Thanks again.]

Duchamp on Chess

2008-02-19T17:56:12-08:00

Chess is a sport, a violent sport...If it's anything at all, then it's a fight.

- Marcel Duchamp in 'Marcel Duchamp Plays and Wins, Yves Armand

[left, the famous Kasparov 'evil eye']

H1 by Brio54, Knock-out Sustainable Residential Design

2008-02-19T17:51:00-08:00

I fell in love with the creative simplicity of the design of the new H1 residence by Brio54, a new Arch. firm made up of partners Gernot Bruckner and Philip Macari. These are still in design development with construction slated to begin later in the spring. Be sure to check out their site for detailed descriptions of all the mechanicals and such:

from the always fabulous Inhabitat: "As soon as we saw them, we instantly fell in love with Brio54’s new set of prefab residential prototypes. A young, design-driven development firm, Brio54’s mission is to provide sustainable, affordable design while delivering high quality construction. Home buyers of all types will delight in Brio54’s wide variety of offerings - whether you live in a suburban area, are looking to refurbish or rehab, or have an empty urban infill lot. Brio54’s first prefab prototype, the H1, (pictured above) is currently in the final stage of planning, and construction is slated to begin production in the spring of 2008.

(more…)

Slightly Unbalanced feat. Nauman, Oursler, Sherman, Kelly and more

2008-02-18T16:22:37-08:00

Found this in my inbox. It looks like a good one to check out if you're going to be in Chi-town this spring. Might even be a reason to plan a trip! Though it looks to be traveling a bit later in the year...

Slightly Unbalanced
A traveling exhibition organized by iCI, New York
Touring January 2008 through December 2009
Curated by Susan Hapgood

On view: January 26 - April 13, 2008
Chicago Cultural Center
Chicago, Illinois

http://www.ici-exhibitions.org

From the press release: " iCI announces the tour of Slightly Unbalanced, an exhibition of works by artists who have focused on neurosis of various kinds in their work, using themselves and the people around them as fodder for their investigations. During the past fifteen years, inspired by the work of several prominent older artists, a younger generation has expanded the contemporary art vocabulary to encompass a subject that is now well known to the general public. The exhibition brings together 35 works by 18 artists or artists’ groups who make use of psychology as a kind of lingua franca—we all know what the symptoms of neurosis are, if not the particular diagnoses."

Artists in exhibition
Alex Bag
Louise Bourgeois
Sophie Calle
Beth Campbell
Harry Dodge and Stanya Kahn
Sarah Hobbs
Mike Kelley
Sean Landers
Cary Leibowitz
Dave McKenzie
Bruce Nauman
Tony Oursler
Danica Phelps
William Pope.L
Aïda Ruilova
Ward Shelley and Doug Paulson
Cindy Sherman
David Shrigley

Not to be missed...

Ambition is to Idleness as Industry is to...

2008-02-15T17:52:43-08:00

Art. The only profession in which idleness is an asset is the artist's. It takes time--distance some like to say--to make something interesting, unusual or unexpected. This is one of the reasons that great art is rare; it takes time, a lot of time (and not a little talent). It cannot be scheduled, regimented, put on a calendar or charted by project management software. It is not some romantic notion of inspiration we are talking about, but a kind of lack of industry.

Lou Reed quoted Andy Warhol's refrain, "All that really matters is work." ('Work' on 'Songs for Drella' ) And he was right. But a large part of what Warhol called 'work' is not the physical production of objects as might be assumed. Producing an object is but the last five or ten percent, for me anyway, the flowering of a plant whose root system is deeper and wider and has taken longer to manifest than is commonly acknowledged.

Additionally, one of the greatest things about most art today is that it is worthless, at least according to the principles by which most ventures in the west are measured: it can't be processed, incorporated, unionized, depreciated, consumed, added to or subtracted from? [this argument is not the Platonic/Aristotelean split in which Plato dismisses art as mere imitation while Aristotle champions it as a means of conveying universal truths, this little riff has more to do with economics than philosophy, though the slope is slippery] Obviously, this is not the art that is stolen from museums or auctioned at Sotheby's. We are talking about the world of objects and ideas that are never commodified, that never make it into the history books, but that make up the vast majority of art that is produced every day--the painting you saw at a swap meet, the novel that came and went and was never read again, the poem by that unknown poet you heard that one time downtown and will never forget, but which will nevertheless go on to be forgotten by 'history'. Its 'worthlessness' is the very thing that makes art so important in a world of de facto global capitalism.

On one end of the spectrum, Duchamp plays chess; on the other, Chihuly fills the world with glass, glass, glass...the rest of us fall somewhere in between. I make art and I run a business, several business ventures actually. I am married, have children, need exercise, nourishment and sleep. I want a house, a car, a TV, maybe some nice shoes--all that bourgeois shit. I want to feel good about the work I do. For me and for many of the artists that I know, ambition and idleness are constantly at war. Does this seem odd? It shouldn't. It is a cliché. Finding the balance-- the sweet spot between the joy of the creative process and the rest of life's joys--continues to elude me.

In the classic "The Poetics of Space", Gaston Bachelard wrote that, "To say that one has left certain intellectual habits behind is easy enough, but how is it to be achieved? For a rationalist, this constitutes a minor daily crisis, a sort of split in one's thinking which, even though its object be partial--a mere image--has none the less great psychic repercussions." He was laying the ground work for his definition of the transsubjectivity of images, what he called a "phenomenology of the imagination", but what he described resonates with my own daily experience.

My "minor daily [psychic] crisis" is also a kind of transsubjectivity, not of images but rather of consciousness, a way of being in the world; a subjectivity that is not fixed but fluid, fickle and unpredictable. It could also be called a kind of schizophrenia, which is kind of a relief, and kind of fucked-up.